Showing posts with label Zero. Show all posts
Showing posts with label Zero. Show all posts

Tuesday, January 16, 2018

Furthering Negative Limitations (notes)

//Trying to get back in the habit of posting here....even if only a place to keep the occasional note, such as this one for the Thornscape essay.//

When identity (executive synchronic function) is removed or blunted forcibly, there can be an instinctive
fightback against this loss (which is not dangerous or problematic on its own, but only relative to certain
mental outlooks that privilege the Self as Center).

This fight itself (in brain terms: pathologically persistent search functions operating on zero data/an
empty frame of reference OR the pathological addition of new data to a frame that is in the process of
being emptied or broken) generates new identity-frames that temporally extend the experience of
dissociation. This can be extended toward a limit where, when we reach a point at which “bare” identity
is generated out of “nothing”, every glimpse of a frameless state autogenerates a new frame that
emerges directly into a state of autodeconstruction. This oscillation prevents a “clean” experience of
the frameless void-state/mors mystica, and prolonged exposure to this oscillation can generate
extreme anxiety, depression, various and sundry negative or painful brain states (this can resemble
tinnitus - depending on certain environmental factors, you can actually *hear* the oscillation).


This can last indefinitely because every recovery attempt generates movement away from the
frameless space, leading to a state in which the identity only remains insofar as it is connected to loss
or pain or whatever is removing the frames - i.e. a negative bias against frame-removal will result in
the pain of breaking frames, fear of lost frames, grasping at new frames, etc; while a positive bias
toward frame-removal will experience negativity in the sense of being unable to speed up the removal
without generating new frames, fear of being unable to prevent the generation of new frames,
grasping at nothingness, etc.


His Brain was Infected by Devils: Tinnitus as Master Sound, Waveguide to the Frameless State

/// ...Another trait the flat tone. No life. Same flat tone at all times.
For its affirmations. For its negations. For its interrogations.
For its exclamations. For its imperations. Same flat tone. You were once.
You were never. Were you ever? Oh never to have been! Be again. Same flat tone...
Samuel Beckett -- Company ///

Tuesday, November 15, 2016

Glass Bead: Wittgenstein Sheaves by F Zalamea

For immediate consumption:

Wittgenstein Sheaves - Zalamea

//And after I had come up with the symbol of the “future species”, after I had given the name “transpecial” to the “light from above” that could give my intellectual work its meaning once again – then I started finding evidence for it everywhere! I began reading voraciously again, and I was amazed to find that this exact same insight had been had by so many thinkers before me! This is what Kant thought the critical philosophy was to be applied to, this is what Nietzsche meant when he spoke about “the proposition ‘the species is everything, one is always none”’ (The Gay Science, §1), this is what Kierkergaard meant when he spoke about this or that, this is what Badiou meant when he spoke about “generalized communism” etc. I found transpecial thinking everywhere around me! Hidden in plain sight! 
Of course, I very soon realized that I had as much right to be amazed at all this as one has to be amazed to find the same reflection of oneself in different mirrors. For I was not finding my ideas in these texts – I was merely seeing my own ideas reflected on them. 
Had I lost my capacity to read and learn? Perhaps – but at least I was no longer transparent. When before I saw nothing in the mirror that I held up against my ideas, I now saw something – except now everything had become a mirror of my ideas. Or, put more modestly: I has become a mirror myself – I was immitating everything around me.
And this, finally, is what led me to abandon the “evolutionary” model of knowledge in favour of a model in which “mimicry” becomes primary. It is the idea of “mimicry” that finally led me back to mathematics.//

and slightly earlier:

//“The beauty of mathematics! The divine in logic! We are cats! We are silkworms!” I had to strip these clownish exultations down and place them in front of a mirror and keep them there until they broke down in tears. I had to turn the mirror on myself not in order to understand, but in order to pity. I had to stare long and hard but not in order for a new “aspect” to reveal itself, but until what I saw could only fill me with grief and pity. 
One of the strangest pronouncements I ever heard: “Knowledge begins with grief.” This is now how I do justice to these words, which carry the unmistakeable form of a penetrating insight.
I had to sit in front of a mirror long enough to be able to perceive my bliss (my exultations) as something worth grieving over, indeed as something devastating. There was no sudden insight, no “realization in a flash”, no discontinuity. There was rather an errosion, over a very long period of time, at no point of which was I aware of the changing shape of my reflection. But erode I did: and then – suddenly – I had become perfectly smooth, a perfect reflective surface able to bounce back any idea: a thermodynamic “white body” – but not a sceptic. 
Looking in the mirror, I saw nothing: no idea could affect me but there was also no idea I could hold on to. 
What became clear then: the proper philosophical insight is that which you do justice to, not attempt to communicate.// 




Monday, September 12, 2016

no hope : not now : not ever

[[[this text is for the program from Vincent Como's ( http://www.vincentcomo.com/ ) upcoming exhibition titled 'No Hope. Not Now, Not Ever.' at the Reinstitute in Baltimore opening on October 29th]]]



//Hail thee, holy darkness! - The INCAL//

Image result for the incal



//But in the beginning there is not light,
there is not life,
there is the black universe.
- Daniel Barber, Whylessness//

//I am neither god nor creature. - Meister Eckhart//

//I am the spirit that negates.
                             and rightly so, for all that comes to be
deserves to perish wretchedly.
- Mephisto, Faust//


The threat of possession, of being swarmed by the intangible unknowable, presses incessantly on the light. The slightest break in light is pervasively swamped by blackness, voiding the safety of referential anchors and //making slits in the umbrella - (Deleuze/Guattari)// through which the outside peers back. Abyssal mirrors lurking in every gap capture our emptiness and reflect it back through these slits, entrancing, encircling, oppressing, embracing, restraining : a nebulous army of dark potential that resonates with the harmonic undertones of our own self-repression. We see our selves and our laughable negligibility in the void, but also a preeminently sovereign intensity hidden in the nigredo and it is this dual realization that generates anxiety, profound to the point of nausea. The realization of the power of darkness is the recognition of //the exponential multiplicity of all which will never be known - VC//, and //what more do you want, o soul? And what else do you search for outside? - St. John of the Cross//

The realization that our shadow, and not our light, is the shape of god; that the supreme power motivating the infinite clockwork of heaven is the supreme negation of nihil : sublimation of Self into Black. The mystics chase possession and cure themselves - and afterward count themselves among the dead, a pinprick nothingness among a field of undifferentiated dark matter. This heretical reversal is a circular inversion, a being-in-the-world being-turned-inside-out, the alignment with a black universe that is the [ur/un]ground for the Great Death called sunyatta.


//Unbearable, isn't it? The suffering of strangers, the agony
of friends. There is a secret song at the center
of the world, and its sound is like razors
through flesh. - Pinhead, Hellraiser//

//To have a body is to suffer. - Bodhidharma//

//Who holds the devil, let him hold him well, he hardly
will be caught a second time. - Dr. Faustus//


Friction: the body is gripped by ghosts and the grasping distorts the mirror. The black universe is nothing more than reflection, harshly illuminating the nothing inside and projecting it onto the firmament. We mistake a glimpse into a hole for a self; staring into deep space with telescopic lenses has replaced the sensation of existing as an infinite space - we no longer recognize that it is us we are looking at. The resistance to this recursive realization accretes on us; a body forming from layers upon layers of fear: of the dark, of separation, of differentiation.

Dreaming of arresting decay is already a misunderstanding: to hold the true image fast we must nail ourselves to the cross - god is not dead, we are, and this recognition shreds liminal boundaries as easily as it does the spirit and flesh on either side. We must nail ourselves to the cross for god is not dead: god is death, and rebirth and re-death is the passage through the secret webwork of the underworld that inscribes the negative image, penetrating darkness to reveal Black. The mouth of Yama opens onto the nunc stans: the standing NOW is held tightly by hidden teeth, constricting and compressing carbon-based lifeforms into lapis philosophorum. To paraphrase Alan Watts, as long as you do not know how to die and come to life again, the wretched earth will conceal the black universe.


//For what remains of the representable if the object is to
evade representation? What remains is to represent
the conditions of this evasion. - Samuel Beckett, Disjecta//

//bathe in the horror that the blood of time carries
with the plague, and befoul yourself with
worship - Sunn O))), Bàthory Erzsébet//

//For we know that all creation keeps on groaning
together - St. Paul, Romans 8:18-22//


Dark matter : dark meaning : inverse topology : non-tology : Black had already taken its apophatic unshape before the beginning of time. Black is the deep sphera of non-differentiation where tomb and womb become smeared as if soaked with acetone. At this depth there can be no delimitation of Black to color, as we sink below the surface of the light - where no light reaches, everything is Black, and one may come to forget the barrier between inside and outside. The ontological primacy of Black is the corporeality of the Warp and Plex and sinew behind the World; the screen upon which the light plays is a necrotic purgatory whiteness marking the stagnation of the material. Light and life is but a transient flicker on the vault: //They give birth astride of a grave, the light gleams an instant, then it's night once more. -Samuel Beckett//

Light does not exist at an oppositional end of a linear spectrum from blackness, nor does it emerge from a field of blackness in an evolutionary gesture, nor does it remain when blackness is cleansed.

Light is color corrupted, burning up on reentry into Black: the spectacle that traps the gaze and ruins our nightvision: a negentropic plague haunts anything that clings to the light.


Everywhere light exists, Black grips.

Everywhere, light slips.

Black out the light - be what seeks to become secret for //only the secret sees into the secret like Black in Black - Francois Laruelle//

Friday, March 18, 2016

Something anyway, for a moment...

The experience of non-differentiation lowers the barriers that separate life-threads from one another in memory storage, and engenders mass synchronisation events in the mind as multiple simultaneous activations occur across the total memory set - activations of all memories associated with each entity’s reality thread - in other words, the truth of open individualism is revealed, the state of cognitively experiencing “being everyone while retaining individuality”  is sensorially achieved - the brain functionally stops differentiating between self and other, by a sudden forced rewiring into conformity with the novel experience of boundless identity - We are Them that are Us and Us is Not-One-But-Zero. Our old individual self-image is dissolved in the crucible of anatta - which is revealed as nothing more than the universal commonality of awareness: we are not Buddhas and zeroes all, we are in fact all the same Zero-Buddha. One seeks the tree only to encounter a mirror and find itself to be the seed to be planted in itself - nothing is to be done but grow and die in time, one laughs: sighing laughter at the black cloak that simple truth wears being the perennial weapon of the neuronihilist and the mystic (who are the same) against despair, fear, and the inevitable ending of all things.   

//The best jazz says, "Gonna live forever; don't believe in death." -R. Bradbury, Zen/Writing//

Wednesday, February 10, 2016

Found in an old notepad, presented unedited...apparently I wrote this...

grim funeral/necro/expression within inexpression/unexpression/the inexpressible. 

Annihilating Unity
Accelerating toward Ø 


As black metal's punishing ascent toward the "Haptic Void" culminated in sacrifice to transcendence, the quest for transcendence was swallowed by the concerns of the transcended. Black metal had evolved and new concerns filled the holes left by solving the puzzle of Christianity and its inversion through atheism, agnosticism, irreligiousity and modern paganism. The attack vectors upon the cross easily become sublimated into attacks upon a dominant american/capitalist/conservative ruling class, whose primary mode of movement toward the modern black metaller is through an anti-environmentalism/progress as industrial growth/anti-human(though decidedly not anti-humanist) power paradigm that had itself in many ways evolved out from an over-reliance on Christianity . The Cascadian scene revels and flourishes within the new man/nature dialectic, fashioning themselves as modern warriors of the soil, Melancology is born. Melting down the human and ultimately selfish desire for transcendence into selflessness via involuting that selfishness into a "selfishness for the world." 


----------Black Noise takes this "upward" trajectory and repurposes a linear gaining for a spiral recursiveness. We aren't aiming for the end, but a true rebirth in the OM of nothingness.


Black Noise must necessarily perform this radical deconstruction in order to expose how universal the feelings evoked by black metal are, by showing that all of the individual parts of the assemblage, on their own, are interrelated to every -or any- other style. To show, as Glenn Branca, John Cage, and hundreds of others before, that there are no rules, there is no objective haptic void as terminus, that "nothing is true and everything is permitted"(WSB), and to explicitly challenge preconceptions about exactly what art or music is. 
The return to the formless noise of OM opposing the extraction of Music FROM the formless noise of OM.

Simultaneously infinite and unattainable
Haptic void is not ^ an ending point, but one space among many….one node among many, comparable to deleuze's rhizome Connectable in assemblage, in sequence, or singular through a process similar to quantum entanglement...to inhabit the haptic void and use it to power incursions into other genre spaces. a black hole with infinite mass, dragging us inward and crushing all light into singularity. providing unity and universal fluidity through formlessness of noise.

If "Transcendental Black Metal is in fact nihilism, however it is a double nihilism and a final nihilism, a once and for all negation of the entire series of negations." as Hunter Hunt Hendrix posits in his manifesto, then Black Noise is a over-nihilism, a suffocating and desolating blast exposing the haptic void as not the infinite and unattainable end point of maximal brutality, but as a space in a 4 dimensional field infinitely connectable and relatable to all traditional genres of music. A space borne of a capability for negation in all things, but rather than the view traditionally espoused in relation, not in series or inversion, but in rhizome. In an interconnectability of emotion with style, the haptic void could be expressed as the death drive, emotionally attachable to any creative movement. A hearkening back to creation not as flower gently unfolding in morning dew, but creation as rupture, as pressure on fissure, to view  entropic reduction of statue to clay as simply a variant nexus of creation rather than destruction removes the inversion necessary to Transcendental BM's superiority complex and gives all progressions of intensity in every or any OR NO direction positivity. Maximising internalised intensity. Maximising stagnation to speed entropy. 


A tearing of the transcendent arc affirming no way out. 

The transcendental view of the haptic void reaches the top of the mountain and dies to be reborn. Black noise annihilates the mountain and kills everything so that all may be reborn. Sonic building blocks reduced to OM. A 'disappropriation' and reduction of all possible sounds from any position into a near uniform hum of feedback and the "bright white nothing at the end of a tunnel"(Thantifaxath 2013)

black noise is a convergence of two(twin? nearly parallel) vectors in emotion/genre-space that both contain 'Haptic conditions' or 'endpoints' in their respective genre/cultures, multiplying the effect of their shared darkness by reinforcing it with each style's capacity for extremity.

to drag the transcendant into harmony with our new system of flexible immanence, we simply offer the possibility of transcending the classical historical-progressive method of genre delineation into a more complete unified "rhizome" or node system wherein stylistic choices, historical musical influences, emotion, and intensity(stylistic choice and intent marking multiple positions in genre-influence/space, with emotions felt during the process of creation replacing time, and intensity marking a vector and speed toward convergence points) create a 4 dimensional vector map of possible achievable sound with black noise being an impossibly remote point where multiple sets and types of extremity coalesce and converge at high intensity. 
------------------
The mode of the haptic void is involution. It reaches out from the future to fuel our incursions into it, pulling us along, making every press into it stronger and more robustly extreme. Not creation or revolution. A complete abandonment of the concept of endpoint. a replacement of the arctic circle/negation of negations inversion with the concept of a spiraling of intensity that can never be fully begun or ended. An opening of the circle to allow for Time and progression within the cursory boundaries of the circle-.
-----------------

to place oneself at the very limit of oneself where one is dissolve  to NOTHING.
Scott Wilson
“Youth always tries to fill the void, an old man learns to live with it.” 
― Mark Z. Danielewski
Via dissonant resonances within and among these three phenomenal nodes, black metal vibrationally unhinges the order of things, tritonely crushes all holy trinities, annihilates every binding of the chain of being.
Nicola Masciandaro


He withdraws into a liminal space that exceeds the capacity for mortality to withstand it, and undergoes a sacrificial demise in order to open himself up as a habitat for and an expression of the power of the demon. 
Anthony Sciscione
A philosophical demonology would therefore have to be “against” the human being – both the “human” part as well as the “being” part.
Eugene Thacker
Instead of the power of prohibition and censorship Black Metal Theory serves to increase and expand more and more on that which has been forbidden.
Niall Scott

“Each day death corrodes what we call living, and life ceaselessly swallows our desire for the void.” 
― Jindřich Štyrský

“The obstinate miner 
of the void 
exploits 
his fertile mine” 
― Jean Cocteau

indestructible truth

"Have I not declared to you that it is in the very nature of all compound things that they must be dissolved again? We must separate ourselves from all things near and dear to us, and must leave them. "
Buddha "The Announcement of Death"

Perhaps this is why metal is heavy – not because it is about nature, politics, or religion, but because it gets at a central ambivalence surrounding material culture. Eugene Thacker - Occultural Studies 1.0: Black Metal


We have such a linear way of apprehending experimentation via genre cross-pollination, a historical way. This begat that begat this etc ad nauseam. The problem with this is that sub genres aren't "invented" or created through simple interaction with a linear set of influences, but through actively coordinating a set of infinitely interactive and connective units and assemblages made from emotional states, intensities of feeling, cultural and subcultural references and influences.


a nonsovereignty  yes, divinely impure, of course…..but the void is already filled with black. The void fills US with black. The void reaches out and infects us. 

Tuesday, December 29, 2015

the way that can be told is not the way...but the way that can be felt...













There remained, however, at the moment when the shooting was no longer but to come, the feeling of lightness that I would not know how to translate: freed from life? the infinite opening up? Neither happiness, nor unhappiness. Nor the absence of fear and perhaps already the step beyond. I know, I imagine that this unanalyzable feeling changed what there remained for him of existence. As if the death outside of him could only henceforth collide with the death in him. "I am alive. No, you are dead."
The Instant of my Death - Maurice Blanchot




If, on the other hand, it has been possible during life to set going the "backward-flowing", rising movement of the life-forces, if the forces of the anima are mastered by the animus, then a release from external things takes place. They are recognized but not desired. Thus the illusion is robbed of its strength. An inner, ascending circulation of forces takes place. The ego withdraws from its entanglement in the world, and after death remains alive because "interiorization" has prevented the wasting of the life-forces in the outer world. Instead of these being dissipated, they have made within the inner rotation of monad a centre of life which is independent of bodily existence. Such an ego is a god, deus, shên. Such a being survives as long as the inner rotation continues. Also, it can invisibly influence men to great thoughts and noble deeds. The saints and sages of ancient times are beings like these, who for thousands of years have stimulated and educated humanity.

But there remains a limitation. These beings retain a personal character and are therefore subject to the effects of space and time. Neither are they immortal any more than heaven and earth are eternal. Eternal is the golden flower only, which grows out of inner liberation from all bondage to things. A man who reaches this stage transposes ego; he is no longer limited to the monad but penetrates the magic circle of the polar duality of all phenomena and returns to the undivided ONE, Tao.
The Secret of the Golden Flower - Richard Wilhelm














Penrose’s Conformal Cyclic Cosmology [...] is a radical new cosmological model which assumes that the universe consists of a sequence of aeons, each of them a solution of the Einstein equations with sources and positive cosmological constant, each expanding from an initial Big Bang singularity to a space-like future null infinity I, the I of one aeon being identified conformally with the Big Bang of the next. The Equations of Conformal Cyclic Cosmology - Paul Tod



















Friday, December 25, 2015

(Im)potentiality by Adam Lovasz

from the author of Tracing the Inoperative: Non-Oriented Ontology (which I will be putting out in physical form soon on a new vanity press project called Void Front news to come...), Adam Lovasz -@AdamRefuter on twitter, I've for you today this guest post....pour yourself out upon the stone...feel good hit of the summer : 





(Im)potentiality


Without the great vacuity, we would become submerged in cognition, and we would never be able to extricate ourselves from intellectualism and cognitionism.”

-Yukio Mishima


The Buddhist term sunyata (emptiness, voidness) signifies a place where the Other shall never be humiliated. This Other would be the Thing that manages to crawl underneath itself, through some extraordinary fiasco of cognition. Our essay seeks to underline the nothingness, the voidness that underlies the interconnectivity of objects, through identifying this etheral ontological „background” with a negative inversion of Aristotle’s notion of potentiality. We seek to show in the context of this essay that emptiness is (im)potentiality. Everywhere we may identify the background-radiation which is (im)potentiality, the absence of potentiality. This absence is more than the foreclosed possibility. It is, never active at all. Activity is a state of disequilibrium that would break the spell of concretion upon sentient beings. In truth, the illusion of concretion and individuation can never be broken, because neither illusion nor the beclouded consciousness actually exist. 

In every logical discussion, there is some stringent remainder that refuses integration into the order of the Symbolic, the order that would seek to humiliate it and bring potency to fruition. Wholeness is always an imaginary state, a condition of beings suffering from illusory attachments; every wholeness is a veil that covers the hole, the void underneath relationality. In Lee Edelman’s view, the narcissist, the subject that rejects reproduction, destroying its own futurality in the process, „resists its libidinal investment in the ego as a form.”Each and every narcissist, whether he or she is aware of this circumstance or not, commits him or herself to a sollipsistic life, a life that prevents potentiality from release. The narcissist prevents the outflow and the inflow. Violence is a natural consequence of language in the Buddhist and deconstructionist viewpoint; Jacques Derrida and Nagarjuna both teach, in their own ways, that nonviolence and language are mutually exclusionary categories. Nonviolence begins where actants reject the coming-to-actuality of language. There is no more stringent ethical imperative than the injunction to abandon language and embrace the apotheosis of meaninglessness: silence. Silence is language that has been relegated to potentiality. Silence resists the urge to break forth to the surface and engage in activity. Every single actant is unified by the certainty of death. Acceptance, as outlined by Ludwig Wittgenstein, is the logical method of absolute negation:

The propositions of logic demonstrate the logical properties of propositions by combining them so as to form propositions that say nothing. This method could also be called a zero-method.”

We must follow the zero-method, as outlined by Wittgenstein, in order to outline what we understand under the term „(im)potentiality.” The brackets may seem at times to be frustratingly superflous, but we encourage the reader to bear with us in our Wittgensteinian explication of (im)potentiality. The something is the state of equilibrium, the unity effectuated by the zero-method. (ibid) Hatred and violence are born of disequilibrium. According to Aristotle’s understanding of the matter, things cannot exist without potentials, yet potentials can only be realized by actuals. Aristotlean potency means the source, the hollow place from whence activity emanates, the source of change. From the formless state, we have a steady progression until every object attains its preordained form.Not all objects are amenable to change, however, for „nothing compulsory or against their nature” attaches to „eternal and unmovable” objects.

The state of equilibrium would therefore be one such instance of an object completely open, yet free of contraries. There is certainly something within this equilibrium, but this is a hollowness that does not indicate anything that may give off heat. Recently, astrophysicists have shown that some information may be gleaned from black holes through the measurement of Hawking radiation, provided „the spin of the hole is measured before and after the qubit [particle] is dropped.” As black holes have zero temperature, but are prone to entropy. The hollow space of maximum receptivity is the something that eludes perception, the opening that encloses zero-method in the stretched horizon of holeness. Holeness scrambles logical propositions, emboldening hot actants with the desire-unto-movement. Accidents, in Aristotle’s view, would be those existents that attach to other objects, but not out of any kind of necessity. The observer, looking at the void, forever externalized, excluded from enwrapment within the opening, is infected with a desire for stringent humiliation. However much the One would seek to spare the Other from humiliation and degradation, when the Word is spoken, violence cannot but ensue. 

One aspect of falsity mentioned in passing by Aristotle is the inability to connect, i.e. when two halves of a sentence cannot be connected to one another in a manner that maintains their truth value. Potentiality can be dispensed of easily when connectivity does not materialize. Provided one accepts the universality of emptiness, no connectivity may be ascertained and potentiality is nowhere to be found. In Nagarjuna’s view, no object has a reality independent of its relations; that is, no object exists that has any kind of svabhana, or „essence.”Therefore a logical consequence would be that everything is falsity. But Aristotle accepts the duality of potentiality and activity. This dualism is also accepted, implicitly and explicity, by a wide range of thinkers, perhaps, one may surmize, the majority of Western philosophers. One particularly interesting example of potentiality has been the debate surrounding the ethical permissability or impermissability of abortion. Judith Jarvis Thomson, one of the first defenders of the right to abortion, argued that it is morally impermissable to force women to support the existence of other persons, even at the cost of aborting a foetus that could potentially become a world-renowned violin player.Women should not be compelled, according to this ethical viewpoint, to play the role of Good Samaritans to unborn persons. Similarly, we may argue that we ourselves should not be compelled to admit the reality or unreality of objects. Emptiness is not even the absence of X; rather, it is a thing completely prior to intelligibility. Hence our rendition of impotence in brackets: (im)potentiality. According to Thomsons’s minimalist ethics, 

„...no person is morally required to make large sacrifices to sustain the life of another who has no right to demand them.”

Provision of „Good Samaritanism” is reduced, by the zero-method, to an absent, erased ethical imperative, one that cannot survive the stringent test. No equilibrium is possible, except in the space of ontological foreclosure. Accordint to a rival, Catholic theological viewpoint, „a man ought rather to let the mother perish” than „commit the crime of homicide in killing the foetus.” In the Catholic view, the foetus is always already an ensoulled creature, a potentiality that has begun, from the moment of conception, to leak into activity. What even the minimalist ethical account rejects is the possibility that abortion may be permissible in every case. Thomson explicitly rejects such a possibility.

A third possibility would be what we call complete annihilation. Instead of murdering the infant or, alternatively, wrecking the mother’s health or even killing her altogether (in cases of life-threatening exigencies), one could say that „if the future experiences will be ones of unmitigated suffering, discontinuation may actually be preferable”, provided, of course, that one accepts the ontological circumstance of arising and subsiding, birth and death, potentiality and actuality. David Benatar describes what he calls a „pro-death” position in the abortion debate. According to this strong view, the value of a future „worth living” simply cannot be satisfactorily demonstrated and, in fact, could actually be shown to be worthless. Therefore, discontinuation is the sole preferable position in every single case of pregnancy. We cannot but quote Benatar’s thought-experiment in full, so delicious is the irony:

„Whereas a legal pro-choice position does not require a pro-lifer to have an abortion—it allows a choice—a legal pro-life position does prevent a pro-choicer from having an abortion. Those who think that the law should embody the pro-life position might want to ask themselves what they would say about a lobby group that (...) in accordance with pro-lifers’ commitment to the restriction of procreative freedom, recommended that the law become pro-death. A legal pro-death policy would require even pro-lifers to have abortions.”

Instead of „freedom or death”, what we have here is the freedom to live transmuted into the equation: freedom=death. The pro-death position certainly does not endorse murder; what Benatar is arguing for is the preferability of abortion to birth. Instead of defending abortion, what Benatar feels philosophers should be doing, and have not been doing for too long, is defending life, for life is in need of defense. There simply is no good reason not to abort, at least if one interprets life as an embodiment of negativity. Reproductive freedom entails certain death, the acceptance of suicidal universalization. The spokes of the lifewheel end in the jaws of Yama, the wounded, emasculated god of death. Yama is the divinity that has been killed-off, forever trapped between infinity and finitude. He is always in a position of actualized precarity, never fully able to transcend and go beyond. Hence his revenge upon mortals; Yama consumes the souls of the fallen, in the manner of a tremendous, jealous black hole, jealous of all that moves, wishing for manifestation to burn and crash down into the internal structure of certain death, universal enthropy. 

Feminist theorists have deconstructed the notion of embryos as „ourselves unborn”. More often than not, notions of potentiality have underpinned conservative, anti-dissipatory regimes and social structures. Incitement to life and procreation has been a feature of totalitarian nightmare regimes, the most bloodthirsty and cruelest systems in world history. Crawling infants are mere movements of the cosmic wheel, unfit to last in a world predicated upon demolition of the given. What is given must perish. Internality is the innerness of the zero-method, the movement that opens onto the extraordinarity of its own fiasco. 

An interesting problem relating to potentiality highlighted by a study on the materiality of foot-and mouth disease (FMD) is our inability to cleanly separate potentially infected animals from those actually suffering from viral infection. What the virus does is organize systems of relationality around itself, while often successfully evading detection. Recognition is especially difficult in the case of sheep. As the authors write, „sheep go lame for all sorts of reasons.”  The disease can take relatively mild forms in adult animals, but „can cause an acute myocarditis resulting in sudden death” in the case of younger specimens. The virus clearly displays an agency that evades visibility. Where is the borderline between „mild infection” and „sudden death”. The suddenness of death is our very reason for rejecting potentiality altogether. Rather, there are various gradations of (im)potentiality. During the foot-and-mouth scare in the early twentieth century, it was, for the most part, not the really and actually infected sheep that were slaughtered. Rather, those slated for immediate destruction were those deemed to run a considerable and reasonable risk of infection:

„On March 15th, it was determined that all sheep within 3km of infected premises would be slaughtered because calculations predicted that they ran a considerable risk of being infected. For these sheep, slaughter not only did without laboratory diagnosis, but also the clinical diagnosis of the vets was made irrelevant as well. A purely epidemiological logic ruled.”

Potential infection became radically actual for those unfortunate animals selected for immediate, sudden death. One form of sudden collapse was substituted for another; there is no real and actual ontological difference between the two instances. Death by viral infection, determined as probable by probabilistic algorithms, and death by slaughter-processes that have been brought forward. Where is potentiality and where is actuality-we cannot but beg the question. True, it is intellectually uncouth to beg the question, but there is simply no getting around the fact that there is no actuality and no potentiality to be found in the above instance of (im)potentiality. A calculated probability of future viral infection sealed the fate of animals whose fate would have been grim anyway. 

The zero-method allows us to see the absence of potentiality and actuality. For those engaged in agriculture, it is certainly not trivial whether animals die in a controlled or uncontrolled manner. But our perspective is not that of one engaged in husbandry. The perspective we would hope to represent, in however an inadequate form, is one of ontology. From this perspective, the animals actually slaughtered because of their potential susceptibility to a biological side-effect of industrialized agriculture (the virus) were already dead to begin with. As distinct from Aristotle’s positing of natural form, recent scientific surveys have shown that „embryos may require technoscientific actualization in order to achieve their supposedly ’natural’ potential to develop.” The something that resides as form is actually a proposition, injected into organic matter by technoscientific operativity. Aristotle defines some objects as „kernel-less.” The internal structure is this object without seed, the seedless receptivity that presupposes nothing, not even absence.  Imperishable things are all potencies for opposites. But within each thing is the pale nothing, purified, internal to the rotating kalpa

We listen to Throbbing Gristle’s In The Shadow of The Sun, and we feel the agony of inadequation. Such dark ambient music crawls under the skin of the listener, tearing apart latent relationalities, bringing potencies to their inevitable abatement. Nothing is the purpose of discourse; discourse is predicated upon the attempt to breed in a space exemplified by pale nothing. Yet that which has never been born (or borne) cannot perish. Embryos created in petri dishes are inert objects, endowed with nothing more than „passive potentiality.”  The voidness crawls over the listener, blending into the ears, transformed by ambient notes into hollow openings. In an interesting section of his Metaphysics, Aristotle considers one possible ontological position, albeit one that he goes on to reject: „if there is nothing eternal, neither can there be a process of coming to be.”

This is precisely what Nagarjuna understands when he rejects the notion of svabhana, or an innate existence that may be separated from relationality. In the final instance, every concretion, every movement, every object, however inert and stringent it may be, cannot ever remove itself from the inertness of foreclosure. This is a closed, unified system of equilibrium, one that is unamenable to movement or change.  Nagarjuna, in a chapter of the Mūlamadhyamakakārikā (’The Philosophy of the Middle Way’), explains movement in the following terms:

„What has been moved, in the first instance, is not being moved. What has not been moved is also not being moved. Separated from what has been moved and has not been moved, present moving is not known.”

Movement, in and of itself, does not exist. It is not a real entity in the world. Movement, separate from the mover, is nowhere to be found. A similar deconstruction may be effectuated in relation to potentiality. In fact, any property of any object may be subjected to the same analysis, one that Nagarjuna proceeds to do in the course of his treatise. Aristotle speaks of the sick body as an object that has become passively receptive to disease. But where is the body that has the disease? And where is the disease that has a body? Neither properties, insofar as we interpret them to be properties, are anywhere to be found. Sheep found to be vulnerable to infection in the early twentieth-century epidemic were slaughtered immediately, without question, so great was the danger posed by Foot-and-mouth disease.  

There did not have to be a real and actual viral presence in the system for autoimmune reactions to kick in and eliminate the threat. Retroactive immune defense is a different matter. Every single action is already retroactive, in that properties are inherently null and void. There is something tautological about such a rabidly anti-realist position. Wittgenstein, one famous anti-realist, admits that „the logic of the world (...) is shown in tautologies.” Existents are bracketed forms of emptiness, because of the very circumstance of their inert foreclosure. Foetuses manufactured in petri-dishes and those manufactured in human wombs do not really differ: their unity is that of stringent space, a unity in indifferentiation. (Im)potentiality is the universal ontological background, the carpentry that unites all things, the ether, the hollow space. Philosophy will undoubtedly continue to display many backtrackings to essentialist and substantialist doctrines such as those of Aristotle, doctrines that take movement far too seriously. Movement and every single property of every single object is empty, null, not even perishable. Only receptivity is eternal, the hole beyond imitation. Buried deep within potentialities and activities opening onto one another, there is the sullen, limp silence.




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